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Princess Mononoke (1997)

Mononoke Hime
Directed by: Hayao Miyazaki
Music: Joe Hisaishi
Voice Talents (Japanese): Yōji Matsuda,
Yuriko Ishida, Yūko Tanaka,
Kaoru Kobayashi, Akihiro Miwa,
Hisaya Morishige
(English): Billy Cruddup, Claire Danes,
Minni Driver, Billy Bob Thornton,
Gillian Anderson, Keith David
The first Miyazaki film that I watched many years ago was Spirited Away (2001). It was a simple tale of a young girl who, on the way into a new neighbourhood, is accidentally trapped in the spirit world. The only way to exit that world is to cross a bridge by sunset. Unfortunately for the little girl, her parents, having partaken of a dish of pork at a restaurant, have been turned into pigs themselves. Now she has to find a way not only to turn her parents back into humans, but to also escape the spirit world before it's too late. It was a whimsical fable dealing with inter-generational conflict, Japanese culture and the effect of modernity upon it, through the eyes of a courageous little girl. It was a tale that touched your heart in inexplicable ways, and was not restricted to one generation. My older son, then a little boy, was as spellbound by the tale unfolding in front of him as we, his parents, were. 

In these intervening years, we have watched several other Miyazaki movies Ponyo, The Wind Rises, From Up On Poppy Hill... suffice it to say, I've never yet watched a Miyazaki film that I haven't liked. So when my husband ordered Princess Mononoke (or Mononoke Hime, which is its Japanese name) from Netflix for our second son, I sat up to watch it as well. On the face of it, Princess Mononoke (I shall continue with the English name, since I'd watched the English version of this anime feature.) is another simple tale, like one of our folk tales. A courageous hero, a curse from an animal god, a journey across lands to seek redemption from the curse, a beautiful heroine, anthropomorphic animal characters, an internecine war, and so on. Underlying it, however, are very serious themes of man vs. nature.
So, onward, my friends, to the tale of Ashitaka and San, Eboshi and Jiko-bō, Moro and Okkoto, and several others.

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